The original cover of the bottler was composed of three vaults hypars, adjacent edges of 4 cm thick and 2.50 m roof blown from the sides. The big six “hypars” saving light 30 meters forming two large bays, covering over 5,000 square meters. Determined to use the next opportunity I had “to show that the terminal could be done in a simple, more elegant.” He found the opportunity with the Bacardi Rum factory in Cuautitlan, Mexico, Candela completed in 1960. Candela found the general form of the Airport Terminal San Luis attractive, but I thought the ribs along the edges were too heavy. The Terminal was composed of three groin vaults with arches cylindrical reinforcement along the edges and reinforcing ribs on the edges. Louis, conducted in 1956 by Minoru Yamasaki and Anton Tedesko. This led to a Félix Candela design in this way was the Bacardi factory Terminal Airport Lambert-St. The bottling plant was built near the administrative building of the brand, designed by Mies, in an industrial zone in the Metropolitan Area of Mexico City, Cuautitlan. In the same factory, the architect performs other ancillary buildings were overshadowed by the spectacle of the bottling plant but also bear the stamp of industrial structures characteristic of its author. The original plan envisaged an expansion of up to nine vaults and Candela built the foundation for such a design Initially only three vaults were built, adding in 1971, in a second stage, three of the same size and type, whose supervision was provided by the brothers of the architect.
FELIX CANDELA RIB ROOF FREE
One of the largest and most spectacular, groin vaults with free edges Covers constructed by Ala were the Bacardi bottling plant, conducted with the only work of Mies van der Rohe in this country, Bacardi offices in Mexico City.
FELIX CANDELA RIB ROOF PROFESSIONAL
Recently, formal influences of his innovations can be found in works by Zaha Hadid’s Heydar Aliyev Ali (Azerbaijan, 2013), FOA’s Yokohama Terminal (Japan, 2002), and UNstudio’s Burnham Pavilion (Chicago, 2009).įélix Candela's Concrete Shells: An Engineered Architecture for México and Chicago is a collaboration between the University of Illinois at Chicago (UIC) and the Universidad Nacional Autónoma de México (UNAM).įélix Candela (1910-1997) one of the most prolific architects of the 20th century in his advanced geometric designs and lasting influence in contemporary architecture.In 1960 Félix Candela Outeriño was head of the family business covers ALA and already enjoyed a recognized professional success, starting to gain fame as a calculator and executor of reinforced concrete shell structures, also called “shells” or “shells ”
In Chicago’s built environment, parallels to Candela’s work can be seen in the experiments with concrete architecture of the 1960s, including Walter Netsch’s UIC Campus and Bertrand Goldberg’s Marina City.
Famous Candela structures include the Pavilion of Cosmic Rays at UNAM, Mexico City (1951) the Chapel Lomas de Cuernavaca, Cuernavaca (1958) Los Manantiales Restaurant, Xochimilco (1958) and the Palace of Sports for the 1968 Olympic Games in Mexico City. These curved and cantilevered forms were not only structural advancements but also brought new textural and atmospheric qualities to the social and communal spaces they shelter.
His designs evolved as feats of architectural engineering, using hyperbolic paraboloid geometry to create numerous reinforced concrete shells.
In the 1950s, ten years into his practice in Mexico, Candela debuted his experimental signature shell structures by designing a continuous curved surface of minimal thickness. Félix Candela's Concrete Shells: An Engineered Architecture for México and Chicago roots Félix Candela (1910-1997) as one of the most prolific architects of the 20th century in his advanced geometric designs and lasting influence in contemporary architecture.īorn in Spain, Candela exiled to Mexico at the end of the Spanish Civil War in 1939, where he lived for thirty years and established his career as an architect.
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